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Bachelor of Fine Art, Sydney College of the Arts, Sydney, Australia
Sculpture (post-technician) Certificate, National Art School, Sydney, Australia
based in London
Reader in Sculpture, University of Hertfordshire, Hatfield, UK
Solo Exhibitions
Cryptosphere, Royal Geographical Society Exhibition Space, London
Ornamatrix, H29 Gallery, Brussels, Belgium
Terroir/Boudoir, Elastic Residence, London, UK
Mappa Mundi, University of Hertfordshire Galleries, Hatfield; Tactile Bosch Artist Led Space, Cardiff, United Kingdom
Stilfragen, Sherman Galleries Goodhope, Sydney
Material World, Sherman Galleries Goodhope, Sydney
Natural Construct, Christine Abrahams Gallery , Melbourne
Arrivals, Sherman Galleries Hargrave, Sydney
Medium Density, Sherman Galleries Goodhope, Sydney
Average Density, Christine Abrahams Gallery, Melbourne
World Between, 9th Triennale - India, Lalit Kala Akademi, New Delhi; touring to Tamworth City Gallery,Gold Coast City Gallery, Mildura City Gallery and The Lawrence Wilson Gallery, Perth
Formal Decay, Christine Abrahams Gallery, Melbourne
Caravan Romance, Sherman Galleries Goodhope, Sydney, Australia
Seascape, Level 2 Project Space, Art Gallery of New South Wales, Sydney
The Miracle of the Rose, Australia Council Studio, New York, United States of America
Landscope (The Machine in the Garden), Artspace, Sydney; Tamworth Regional Gallery, NSW and Perth Institute of Contemporary Art, Western Australia
Transgressions, Rom Gallery, Sydney, Australia
World Fare (with Stephen Crane), EMR Galleries, Sydney, Australia
Crash (with Stephen Crane), EMR Galleries, Sydney, Australia
Group Exhibitions
iota, Cell Project Space, London, curated by Richard Priestly
Incorporate, Arts & Business, London, curated by Exhibit K
Deep Inspiration, Jerwood Space, London, curated by Emma Russell and Rachel Dickson
Diaspora/Coalescence, Bishops Square, Spitalfields, London, curated by Emma Russell and Rachel Dickson
Between the Sheets, Juno Records, Camden, London, curated by Kim Fielding, supported by Juno Records and Tactile Bosch, Cardiff
Baroque My World, Transition Gallery, London
The Gathering, Wangaratta Gallery, Wangaratta, Australia
Art Omi, a Retrospective, Cell Block Theatre, National Art School, Sydney, Australia
Coagulation, Tactile Bosch and House, Cardiff, part of Cardiff Contemporary
Mirage of Minds, Century Gallery, ACAVA Studios, London, United Kingdom
National Sculpture Prize Exhibition, National Gallery of Australia, Canberra
Inaugural Exhibition, The Hospital, London, United Kingdom, curated by Emma Elia-Shaul
Zoo Art Fair, Flaca Gallery Stand, London United Kingdom
Melbourne Art Fair, Christine Abrahams Gallery Stand, Melbourne Australia
Tempered Ground, Museum of Garden History, London, United Kingdom
This was the future.. Australian sculpture of the 1950s, 60s, 70s and Today, Hiede Museum of Modern Art, Melbourne, Australia
New York Calling, PS1 Contemporay Art Center Australian Studio, New York
Jerwood Sculpture Prize, Jerwood Space, London, Midlands Art Centre, Birmingham, United Kingdom
London Biennale 2002, 291 Gallery, Hackney, London, United Kingdom
Nelson + Valamanesh, Sherman Galleries Hargrave,19 February - 16 March
Five, Australian Embassy, The Strand, London, United Kingdom
Helen Lempriere National Scupture Award Exhibition, Werribee Park, Victoria, Australia
Pixel, Elastic Project Space, Sydney, Australia
The Numbers Game The Adam Art Gallery, New Zealand
The Organic and the Artificial: Re-inventing Modernist Design, University of Tasmania Gallery, Australia
Ways of Being, Ivan Dougherty Gallery, University of New South Wales, Sydney, Australia
Pile on, The Bridge, Construction in Process VI, Melbourne, Australia
IX Indian Art -Triennale, Lalit Kala Akademi, New Delhi, India
Gold CostBetween Art & Nature, Australian Perspecta, Ivan Dougherty Gallery, Sydney
Moët et Chandon touring exhibition, Queensland Art Gallery, Brisbane
Works on paper by 20 Australian Artists Za Moca Foundation, , Tokyo, Japan
Systems End, Contemporary Art In Australia OXY Gallery, Osaka; Hakone Museum, Tokyo; Dong-Ah Gallery, Seoul; Kaohsiung Museum of Fine Art, Taiwan
Distance, Shizuoka Prefectural Museum, Gallery Sowaka, Kyoto, Japan
Pachi Pachi 1000, XEBEC Centre for Experimental Music and Performance, Kobe, Japan
The Blake Prize, Mitchell Galleries, State Library of New South Wales, regional gallery tour
Moët et Chandon touring exhibition, Art Gallery of New South Wales, Sydney
In the Company of Others, curated by Jacques Delaruelle, King on Burton Gallery, Sydney
Australian Perspecta, Art Gallery of New South Wales, Sydney, Australia
Andy Wardrobe, EMR Galleries, Sydney, Australia
Public Commissions
Floating World, Birmingham New Hospital Commission, art consultants: InSite Arts & Emma Larkinson
Desiring Machine Sculpture Commission, Eastlink Motorway, Melbourne, Australia
Stratum Thomas Tallis Specialist College, London, John McAslan Architects, art consultants – art consultants - Modus Operandi, London
Flumen, Bank Street Commission, Ashford, Kent , UK, RKL Art Consultants, funded by The European Union, The Arts Council England and Kent County Council
Docklands Light Railway Stratford International Extension commission, art consultants – Modus Operandi (shortlisted)
Oceanic/Endless, Cardinia Life Aquatic Centre, Melbourne, Australia, in collaboration with David Chesworth and Sonia Leber
Sunderland Empire Theatre Flytower commission, Sunderland, UK, curated by Richard Hollinshead (shortlisted)
Draco, shortlisted proposal for Chirk, Wales, Landmark Wales lottery funded public art programme, art consultant, Geoff Wood, Working pArts
Cactal, Institute of Digital Innovation, University of Teeside, Middlesbrough, funded by ONE North East, University of Teesside and Middlesbrough Council; supported by Commissions North
Chain Reactor,Temple Quay 9 Building, Bristol, In association with Stride Treglown Architects, art consultant: Working pArts (paused)
Proximities - Local Histories/Global Entanglements, Commonwealth Games commission, Melbourne, Australia
Wahlverwandschaft, Deakin University Commission, Melbourne, Australia
Corpuscle, invited proposal for the Westminster Hospital commission, London UK, art consultants: Modus Operandi
Mnemonic, invited proposal for the Felton Centenary Commission, National Gallery of Victoria, Australia
The Ecstacy of St Theresa, invited proposal for the Roundhouse commision, London, UK, art consultants: Modus Operandi
Arborescence, invited proposal for 199 Knightsbridge, London, UK, art consultants: Modus Operandi
Progettomoderno Commission, Pianca Furniture Company, Treviso, Italy, art consultants: Modus Operandi
Midway, Design of sculptural treatment for Luna Park, in association with Hassell Architects, Sydney, Australia
The Hope Machine and Thursdays Fictions, set design for Tasdance Dance Company, Launceston, Tasmania
M4 freeway commission, in association with Hassell Architects, Sydney, Australia
Landscope (the Machine in the Garden) permanent siting at the University of Western, Sydney, Australia
Ben Chifley and Crucimatrilux, Chifley Square sculpture commission, in association with Hassell architects, Sydney, Australia
Awards and Residencies
Artist in Residence at the Royal Geographical Society with IBG, London supported by the Arts Council England and The Leverhulme Trust
Artist in Residence, The Institute of Digital Innovation, University of Teesside, funded by ONE North East, Middlesbrough Council; supported by Commissions North
Arts Council England Individual Grant
The Leverhulme Trust, London, Artist in Residence Grant,
Finalist, National Sculpture Prize, National Gallery of Australia, Canberra,
Arts Council England, Individual Grant
Research Leave Scheme, University of Hertfordshire HEFCE
Finalist, Jerwood Sculpture Prize, Jerwood Foundation, London
Australia Council new work grant
Finalist, Helen Lempriere National Sculpture Award, Australia
Pollock-Krasner Foundation Fellowship, New York
Conferences and workshops grant, Australian Network for Art and Technology
Australian Representative IX Triennale India, New Delhi
Project grant, Australia Council for the Arts
Art/Omi International Artists' Workshop, New York
Australia Council Studio Fellowship, Greene Street Studio, New York
Project grant, Australia Council
Project grant, Australia Council
Academic Posts and Papers
Reader in Sculpture, University of Hertfordshire, Hatfield, U.K.
Senior Lecturer in Spatial Design and Sculpture, University of Hertfordshire, Hatfield, U.K.
paper, Marketing the Unmarketable, Marketing and the Arts Conference UH Business School, Hertford, U.K.
Visiting Lecturer, Department of Visual Communication, University of Technology, Sydney
paper, 'Neuronature', International Symposium on Electronic Art, Paris
paper, 'The Bridge Between Art and Design, ACUADS conference, University of New South Wales, Sydney
Artist-in-Residence Sydney Grammar School, Sydney
Part-time Lecturer KVB Institute of Technology department of Art and Design, Sydney
Demonstrator, Sculpture Department, University of Newcastle
Guest Lectures at art schools and institutions in England, Australia, India and Japan
Public and Corporate Collections
National Gallery of Australia, Canberra
Jerwood Foundation, London, UK
Museum of Contemporary Art, Sydney, Australia
National Gallery of Victoria, Melbourne, Australia
Cass Sculpture Foundation, Goodwood, UK
Artbank, Sydney; Australia
Deakin University Art Collection, Melbourne, Australia
Campbelltown City Art Gallery; Australia
GoldCoast City Art Gallery; Australia
McClelland Gallery and Sculpture Park, Victoria, Australia
Sydney Open Museum, Sydney
University of Western Sydney
Art/Omi Foundation, New York
Goldman Sachs, Sydney
Grant Samuel and Associates, Sydney, Australia
Macquarie Bank, Sydney, Australia
NRMA Collection, Sydney, Australia
Tabcorp, Melbourne
Westpac Bank, Australia
University of New South Wales Press, Sydney
Additional Information
Fellow of the Royal Society for the Arts; member of the Art and Architecture Association, London; member of ACAVA, London; board member of Elastic Residence artist run space, London; member of CREAC Research Unit, University of Hertfordshire, Hatfield UK; Artquest advisor; axis artist database; represented by Christine Abrahams Gallery, Melbourne
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Barber, Ashley ‘Getting to the art of the matter in 2008’, The Age, Melbourne, 2 January
Geldard, Rebecca, “Into the Cryptosphere with Simeon Nelson, http://www.phillipsartexpert.com/forums/11/215
'Art installation for city theatre', BBC News, UK, 18 November ttp://news.bbc.co.uk/1/hi/england/wear/7100621.stm
Braysgay, Chris, ‘Artwork unveiled on side of university building” , The Northern Echo, Newcastle, UK,19 September
Coslovich, Gabriella, ‘Eastlink will cost you but it will be a cultural experience’ , The Age, Melbourne, Nov 28, p 3
Cox, Catherine, ‘Nature and its Representation’ Social Sciences, Arts and Humanities Research Institute Showcase, pp 42,43 University of Hertordshire, UK
Dowdy, Claire, A Civilising Influence, The Financial Times, London, UK, April 21
Kabov, Valerie, In Focus, spotlight on Simeon Nelson, Artmatter Newsletter, Sydney, Australia, November issue
McLaughlan, Karen ‘New Sculpture on the Block’ The Evening Gazette, Teesside, UK, 24 October
Meehan, Melissa, ‘Cardinias art scene looking up’, Pakenham-Berwick Gazette, Australia, September 26
Nelson, Simeon, “Elements: case studies”, Landscape Magazine, London, UK, March issue
Robertson, Ross, “Vote for your landmark design.” Sunderland Echo, UK, November 5
Sorenson, Rosemary, “Men at work”, The Australian Feb 24
‘Water Work wins Pool Gig’, Pakenham News, Australia, 11 April
Vickers, Ben, “Hedge-fund collectors tour back streets to find artists”, Bloomberg News, London, UK, 1 October
Brown, Neal, “Ironic, I should Rococo” The First Post, April 26, UK
Carter, Michael and Geczy, Adam, Reframing Art, Berg, Oxford, ISBN 1845204638
Callaghan, Joanna, Simeon Nelson, Mappa Mundi, Haiku Review issue 6 2006, http://haikureview.net/node/57
Cree, Laura Murray, ed. Twenty, Sherman Galleries 1986-2006, Craftsman House, Sydney
Gavin, Francesca, “Love and Hate in Hackney” BBC DNA Collective Interactive Culture Magazine issue 198 http://www.bbc.co.uk/dna/collective/A11078886
Macdonald, Fiona, “Baroque world is on a roll”, Metro, London April 24, p33
Clement, Tracey, “Language, Craft and Politics in the National Sculpture Prize” Craft Culture Victoria Online Journal, September Issue
Dalton, Gordon, Coagulation, Review of the Week, Gallery Guide, The Western Mail, Wales, 21 October
Desmond, Michael, “Molecule as Muse – DNA in Art”, Cosmos Magazine, No. 6, December
Drummond, Rozalind, “Art Happiness”, Artlook #15, Cultural Council of the Australian Capital Territory, CanberraSeptember
Nelson, Simeon, National Sculpture Prize catalogue, National Gallery of Australia, Canberra, Australia ISBN 0 642 54132 9
Preece, Robert, ‘Focus’, Simeon Nelson, Sculpture Magazine, New Jersey, USA, Vol.24 No.3 ISSN 0889-7
Shaul, Matthew, Introduction, Mappa Mundi Catalogue, University of Hertfordshire Galleries Hatfield, ISBN 1 898543 93 3
Sullivan, Eve, National Sculpture Prize, Artonview issue 43 National Gallery of Australia pp13-15, ISSN 1323-4552
Taylor, Elena, Introduction to National Sculpture Prize catalogue, National Gallery of Australia, Canberra, Australia ISBN 0 642 54132 9
Neal, Jane Tempered Ground, Contemporary Magazine, issue 66 Sept-Oct
Nelson, Simeon Stilfragen artist statement, Sherman Galleries, Sydney, Australia
Williams, Eliza A View on Tempered Ground* Parabola Trust ISBN: 0-9547617-1-5 0
Murray, Peter Simeon Nelson, Jerwood Prize, Jerwood Foundation, London*
Stanhope, Zara All the Things You Are, This was the Future. Australian Sculpture of the 1950s, 60s, 70s and Today, Heide Museum of Modern Art, Melbourne, Australia* * ISBN 0947104755
Campbell, Farouk Jerwood Prize, London SE1, February
Byrne, Lisa Simeon Nelson, Material World, Eyeline issue 48 p47
Hynes, Victoria Webmaster, Sydney Morning Herald, 01 March
Genocchio & Geczy What is Installation?, Power Publications, University of Sydney ISBN 1864874309
Kidd, Courtney Simeon Nelson, Australian Art Collector, issue 19 p49
Loxley, Anne A Look Through the Layers of Arresting Works, Sydney Morning Herald, 27 Feb
Nelson, Simeon, 'Welcome to my Nightmare' Material World, Sherman Galleries, Sydney, February*
Bilske, Maria Lempriere prize, Sculpture Magazine, New Jersey, Vol.20 No.7, ISSN 0889-7
Brennan, Betsy Living Art Vogue Living , p 55 Dec-Jan
Burtt, Cliffe Lempriere Prize, Newsletter of the Contemporary Sculptors Association, May 2001
Genocchio, Benjamin Sculptors Earn a Walk in the Park The Australian March 23 p11
Hutak Michael Australia’s 50 Most Collectible Artists, p80, Australian Art Collector issue 15
Morris, Rachel Fast Track to Fame for Emerging Artist The Daily Telegraph p 13 Jan 15
Samuelian, Christine Full Nelson Wallpaper * Magazine pp143-144 issue 36 March
Lempriere Prize, World Sculpture News
Cullen, Max A Private Look at Public Art, video interviews with Australian artists, Sydney
Genocchio, Benjamin Simeon Nelson Passages, monograph , UNSW Press, Sydney ISBN 0 86840 730 5
Jackson, D., Johnson C. Australian Architecture Now, Thames and Hudson, London ISBN 0500283885
Genocchio, Benjamin Simeon Nelson Selections from the University of Western Sydney Art Collection*
Schumack, Kaye Landscope installed at the University of Western Sydney Postwest issue 17
Gawronski, Alex Simeon Nelson Passages, Globe e Journal of Contemporary Art, Reviews
Nelson, Robert Accessory to the fact; ornament to their profession, The Age 6 Dec Melbourne
Nelson, Simeon Neuronature, International Symposium on Electronic Art, p80, Art 3000, Paris*
Stanhope, Zara ONE, TWO, THREE, FOUR, KNOCK AT MY DOOR The Numbers Game, Adam Gallery, University of Wellington, New Zealand*
Young, Melinda, 'Simeon Nelson: Passages' review, Object magazine, Sydneyno.4
Harley, Ross Rudesch ‘Ambiguous Topologies’, Medium Density, Sherman Goodhope, Sydney*
Hutak, Michael ‘Artbank, Try Before You Buy’, Australian Art Collector, issue 10
Noble, Andrew ‘Tactile Tech’ , profile, Outrage , October issue
Smee, Sebastian ‘Progress Rapport’, Sydney Morning Herald, 17 August
Spinks, Jennifer ‘The Organic and the Artificial’ University of Tasmania*
Rhodes, Briony The Organic and the Artificial, Reinventing Modernist Design’ , Eyeline issue 40
Cantrill, P. J. ‘Square Spaces’, Architectural Review Australia # 63
Gennocchio, Ben ‘What Remains’ , Art and Australia vol 35 #4
Green, Charles review of IXth Indian Triennale, Art/Text 61
James, Bruce ‘Work in Progress’ The Sydney Morning Herald, 11 August
Kidd, Courtney “Public art In Sydney” Artlink vol 18 #50
Nelson, Simeon artist statement p 36 Ways of Being*
Sherman, Gene “Marking the 2000 Moment” Artlink vol 18 #50
Smith, Sue ‘Rebirth of a Mystical Vision’ Courier Mail Brisbane 6 May
Zulaikha, Brian, ‘Chifley Square’, cover story Architecture Australia March/April 1998
Bennie, Angela “Within the cesspool, a metaphor for life’s flux,” SMH, p 13, 11 Aug
Clabburn, Anna “In Between and Beyond”, Moet et Chandon * ISBN 0958859981
Clark and Jose Systems End, Contemporary Art in Australia, Kaohsiung Museum, Taiwan ISBN 9570083123
Chenery, Susan “Perspecta Perspectives” cover story, Sydney Morning Herald Metro Aug 8-14
Chopra, Suneet, 'Achy Breaky Art ', Life Style, 13 December
Dalmia, Yashodhara ?Between Multiple Worlds? , Outlook Magazine Dec 22 , India
Dutt, Nirupama, 'High Tide of Creativity ', The Express Magazine , 14 December
Farrelly, E. M. “Chifley Gets a Nip and Tuck” , Sydney Morning Herald 28 Oct
Fenner, Felicity World Between catalogue essay , IX Indian Triennale, Delhi
French, Blair Simeon Nelson, Sherman Galleries Goodhope, Art / Text 56,
Gennochio, Benjamin review of Perspecta 1997 Australian Financial Review
Gibson, Jeff review of Perspecta 1997 Between Art and Nature, Art / Text 59.
Gibson, Mike “Chifley Art’s in the Right Place” The Daily Telegraph 29 Oct
Iyer, Vasantha, 'Ninth Triennale: An experience in Tranquility ', National Herald, 11 December
Henderson, Gerard “Libs, Where’s Thy Ming? Sydney Morning Herald 1Nov
Jain, Madhu, 'Passages from India ', India Today, 15 December
Kalidas, S “The Cesspool Sonata” 9th Triennale India, The Pioneer 30 Nov
McNicoll, D D ?Chifley’s Vision Draws Labour Greats The Australian 28 Oct
Nelson, Simeon “comment”, Australian Perspecta 1997, Between art and Nature, pp10-12* ISSN 07271204
Sengupta, Ratnottama “Nature, Culture and ‘the World in Between’” , interview, The Times of India, Dec 10
Smee, Sebastian ‘Hung, Drawn and Courted’ , SMH Metro, May 16
Stephens, Tony ?Labours Hero Takes his Place as Man of Steel, Sydney Morning Herald 28Oct
Symons, Emma-Kate “Chifley Returns to High Office as 8m Cartoon Cutout, The Daily Telegraph 28 Oct
Titmarsh, Mark “Teach Me Teach Me” Australian Art Collector, issue 3
Ward, Peter ?Sydney’s 12-point Plan?, Review,Weekend Australian Dec. 13-14
Watson, Bronwyn “Art in the Littoral Zone”, 1997, Art Monthly, October
'IX Indian Art - Triennale 1997 goes Hi - tech', Delhi Times, 5 December
Ashton, Chris, 'Australian Contemporary Art is Coming to Japan', QANTAS Spirit, March-April
Clark, John Systems End,Contemporary Art in Australia Kaohsiung Museum ofArts, Taiwan
Clarke, Neil “Beginning at the End” Hakone Museum, Japan The Daily Yomimuri, 7 June
Guest, Micheal ?Thoughts on Distance?, A-Value meets Distance, A-Value, Shizuoka, Japan*
Hayes, Paul ?Nelson’s Nature?, Capital Q , 8 November
Hedger, Michael review of ?Distance?, Architecture Australia , vol 85, # 1, Jan-Feb
James, Bruce ?Artists find new markets? Sydney Morning Herald 2 June
Larkin,Annette Distance, Shizuoka, Kyoto, Japan *
Loxley, Anne Catalogue essay for Sherman Galleries Solo exhibition November *
McCulloch, Susan “The Oriental Express” Weekend Review, The Australian, 20 April
McGuire, T G “Down Under Asia” Asahi Evening News, 27 June
Merten, Margaret ?Arts Beat? (profile) HQ Magazine Nov, Dec
Murphy, Bernice catalogue essays for the Crant Samuel Collection of Contemporary Art , Feb *
O’Brien, Geraldine Article on Chifley Monument, Sydney Morning Herald 9 Feb
Takami, Akihiko, 'Componding Australian Identity'(review of Systems End), Bijustu-Techo, TokyoAugust,
Yoda, Miki, 'Strong aspect of multicultural society', The Sankei Shimbun Newspaper, 7 July 1996
Bond, Tony “ Simeon Nelson” Systems End: Contemporary Art in Australia Sherman Galleries *
Delaruelle, Jacques ?Tautological Injunctions? The Sydney Review # 73 March
Fenner, Felicity “Icons and Idolisers”, Sydney Morning Herald, 21 July
Johnson, Anna" 3 Australians in New York" , profile Imagine, S.B.S. T.V. 7 August.
Johnson, Anna ?Submerged?, Seascape catalogue essay, Art Gallery of New South Wales
Kishimoto, Yasushi ?Distance?, documentary video Gallery Sowaka, Kyoto, Kyoto Art Today, vol 18
Lynn, Elwyn “The Moet and Chandon Prize” The Australian, 10 Feb
McGillick, Paul “Champagne for the Mind” Financial Review 17 Feb
Timms, Peter “The Case for Mannerism”, Moet and Chandon Foundation* ISBN 0958859981
Williams, Tim Chifley Square, Sydney Spaces, publ. by Sydney City Council 1989
Ashton, Helen "Architecture of the Imagination", Churinga, vol 4, no 6. Australian Consulate, NYC
Banks, Ron "Installation Gets a Slimy Reception" The West Australian, 21 July
Merten, Margaret ?Simeon Nelson?, Australian Style Magazine, # 9
Miller, Nikki "Nature and Culture Brought Together" The West Australian, 7 July
Nelson, Simeon “Uroboros” artists statement, 1995 Moet et Chandon catalogue
Timms, Peter “The Case for Mannerism” 1995 Moet et Chandon, December *
Weston, Neville "Of Boundary Riders and Outback Dunnies", The Western Review
Delaruelle, Jacques "Accordance with Nature", Sydney Review, 54,
Harley, Ross “The Machine in the Garden: Simeon Nelson's Landscope”, Artspace, Sydney *
Lynn, Elwyn "Galleries Sydney" Weekend Australian, 22 May
Merten, Margaret "Landscapes of the Under-Soul", Artspace, Sydney*
Nelson, Simeon “The Prison of Vision” artists statement for “Landscope” , Artspace,
Dunn, Jackie, ‘Objects of installation’, Craft New South Wales, spring
Johnson, Anna, ‘Mortal coil’, Perspecta 91, exhibition catalogue, Art Gallery of New South Wales, Syndey
Sproull, Richard, ‘Marine Theme Behind Wave of Contemporary Art’, Australian, 12 June
Bell, Allison, ‘Objets Trouvé’, Interior Architecture, no. 32
Chater, Jenny & Anne Howell, ‘Objects of obsession’, Follow-Me magazine, December–January
Lumby, Catherine, ‘Andy Wardrobe’, Art & Text, no. 37, August
McCarthy, Paul, ‘Pandora's Wardrobe’, Tension, no. 22, August
Allen, Christopher, ‘Famous victory gets a humorous reworking’, Sydney Morning Herald, July
Gibson, Emily, ‘Closet artists, Sydney Morning Herald, 11 June
Lumby, Catherine, ‘Mismatched artists create an Impressive and gigantic show’, Sydney Morning Herald, 12 July
Lynn, Elwyn, ‘Dark deadly serious fun, Weekend Australian, 9 July
McMillan, Richard, ‘Working in the warehouse’, City Life, 7 January
* denotes catalogue 3